草原日出描写

导读：　草原日出描写篇一《_阿拉比_和_草原日出_的写作手法对比》 ...

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草原日出描写篇一
《_阿拉比_和_草原日出_的写作手法对比》

草原日出描写篇二
《《草原日出》环境分析》

Analysis on the Protagonist’s Psychological Changes in A Sunrise

on the Veld from the Perspective of Setting

A Sunrise on the Veld, written by the outstanding British novelist Doris Lessing, narrated a fifteen-year-old boy‟s hunting experience in which he witnessed a cruel process that an injured deer was nibbled away by a swarm of ants. In this story, the boy‟s perception of man‟s power experienced a set of changes along with the shift of scene and time. Originally, the beautiful landscape convinced him of nature‟s vitality and he was embraced by the passion to control the world. Nevertheless, having experienced the bloody scene of the deer‟s death, he realized nature‟s cruelty and his powerlessness. This paper is aimed at concretely analyzing the boy‟s psychological transformation from the perspective of settings.

According to the Encyclopedia Britannica Online, Setting, in literature, refers to the location and time frame in which the action of a narrative takes place. Émile Zola has maintained that environment determines character(also see Encyclopedia Britannica Online) In A Sunrise on the Veld, setting likewise has a great function in the protagonist‟s character shaping and his psychological change. In the process of hunting, the young boy totally experienced five scenes. The first scene was in the boy‟s home when he believed that his body and thoughts were in his control. It was half-past four to the minute when the sun hadn‟t risen, the innocent boy triumphantly pressed down the alarm-knob of the clock as usual after a relaxed sleep. The clock actually did not play his part as a reminder since the boy could wake up whenever he wanted. Nevertheless, he still insisted in setting the alarm clock each night only “for the delight of the moment when he woke”. In addition, “he huddled down for a last warm moment under the clothes” merely because he was convinced that such a weakness could be “defeated without effort”. At this stage, he was confident in controlling himself.

Two hours before sunrise, a scene in which the courageous boy departed from home accompanied by several dogs happened. At first, those dogs‟ haunches “crouched in reluctance at the cold, but ears and swinging tails greeting the gun ecstatically”, which shows the boy‟s pride of his own charm. To keep those dogs secret and silent, the boy warned them and those animals seemed to understand him and did not yelp until the house was a hundred yards back. In this period, the boy succeeded controlling the dogs. Walking on the the dark tunnel, although „he felt

the chilled dust push up between his toes”, the young boy still believed that “ I could walk all day, and never tire!” In this period, he was so energetic to confront the uncertain future.

When sun broke through clouds, sun shining and the sky becoming gold and crystal, the excited boy passed through a bush when his confidence to control himself continually grew into the ambitious to conquer the world. In this process, “the exultation and pride of body mounted in him till he was shutting his teeth hard against a violent desire to shout his triumph,” “All the birds of the world sang around him.” He thinks that he becomes the center of the world. Meanwhile, his monologue that “ all the great men of the world have been as I am now, and there is nothing I can't become, nothing I can't do; there is no country in the world I cannot make part of myself, if I choose. I contain the world. I can make of it what I want. If I choose, I can change everything that is going to happen: it depends on me, and what I decide now” powerfully revel his ambitious—— he is almighty; he has the power to control the whole world. At that time, sun was completely exposed in the sky, and the boy‟s confidence culminated.

Time went by. The boy moved on the Veld and then happened to witness the scene that a big deer was eating up by a colony of ants which usually serve as the disadvantaged in nature. For the first time, the confident and ambitious boy realized his powerlessness and nature‟s cruelty. The deer‟s shortened scream made all his madness gone. “Now he was clean sober.” He suddenly felt something was wrong. When the boy was astonished by the ground black with ants and the convulsive deer, “it came into his mind that he should shoot it and end its pain”. He raised the gun but eventually lowered it since the found that “ The buck could no longer feel; its fighting was a mechanical protest of the nerves.” It was at this process of raising and lowering gun that the innocent boy‟s perception of his almighty suffered a dramatic change——he was powerless in front of nature; he couldn‟t stop the deer‟s life and death; there was nothing he could do.

When it was getting very hot, much too hot to be out roaming the bush, the boy picked up his gun and walked homewards in low spirits. The death of that small animal stimulated his thought concerning his powerlessness, and he had to think it out thoroughly. At this stage, the boy‟s thoughts became more mature.

In this story, the shift of time and scene are crucial in the process of the boy‟s transformation of emotion and psychology. As the sun rose higher and higher, the boy became more and more excited and confident to control the world and this sort of passion reached its peak when the sun

completely broke through the clouds. Yet, as a Chinese proverb has it, “everything starts to fall after it has reached zenith”, when time elapsed, the boy‟s emotion became low bit by bit and his suspicion of man‟s power turned to be stronger and stronger. In the journey starting by departing home and ending by gonging back home, the young boy experienced the psychological transformation from innocent to mature.

草原日出描写篇三
《草原日出》

草原日出

广袤的草原

暮色苍茫。

寂静如幽，

大地沉睡，

星辰困顿，

一丝微风，

摇醒了碧草，

惊醒了大地，

唤醒了鼾声中的生灵，

掀开了天边的一角，

吹醒了睡眼惺忪的太阳。

遥远的天边，

一抹红如娇羞的娇娃，

半遮着羞红的脸颊，

悄悄地探出头来，

偷窥着人间。

马群、牧民、毡房、忙碌的人们 如巨大天幕中的动画剪影，

影影绰绰。

渐渐的，红日刺破了夜的阴霾，

蓬勃出万丈光芒，

涌动的朝霞被初升的太阳掀起了绚丽，

大地披上了万道霞光。

红日蓬勃、

彩霞绚烂、

天空湛蓝、

绿色更碧，

草原迎来了新的黎明。

草原日出描写篇四
《草原日出主题》

草原日出描写篇五
《浅论《草原日出》的象征意义》

草原日出描写篇六
《《草原日出》中的生态伦理反思》

草原日出描写篇七
《草原上的日出》

《草原上的日出》坝上草原的日出是最美丽的！凌晨四时，草原上一片漆黑，黎明前的黑暗还在继续。这时的草原非常安静，到处都是静悄悄的。黑色的夜空上挂着几颗小星星，四周朦朦胧胧的，如同笼罩着一层薄薄的轻纱。我们焦急而又安静地站在小山坡上等待日出。东方的天边渐渐地露出了鱼肚白，星星渐渐变淡了。过了一会儿，夜幕彻底被拉开了。温柔的红光从草天相接处透了出来，周边的云朵姐姐们都换上了件件桔红色的衣服。时间渐渐溜走了，霞光在渐渐扩大了。但是太阳迟迟没有出现，我想也许是云层太厚、也许是太阳害羞了不敢出来。正在我失望地打算离开之时，忽然听到了一阵欢呼声。我赶紧回头一看，哇，火红火红的太阳正在慢慢地露出它的小脸。它的小脸红得像个大柿子，又像个害羞的小姑娘，不敢一下子伸出头来，只敢一点点往外露。终于，整个太阳都升起来了，阳光从柔和变得越来越刺眼。草原被洒上了一层金色的光芒，成群的牛羊们在草原上自由地奔跑着，放眼望去，美极了。我们都陶醉在这美丽、壮观的草原日出里。

草原日出描写篇八
《草原日出PPT模板》

草原日出描写篇九
《草原的日出》

今天我们谁都没睡懒觉，四点半的时候便纷纷来到草原离天空最近的地方，因为谁都不想错过这美好的时间，错过这美好的红日。

刚刚看到天空的一点儿，我便被这妩媚迷住了。只见天空最下端从上到下一共有五种颜色：从淡蓝到鱼肚白、从鱼肚白到浅黄，从橙红到深蓝，接着是深蓝连着碧绿的大草原，似有似无。四周一片云彩也没有飘过，这真是“孤云独去闲”！但这时月亮还没有下班，可是如果这幅由天空、草原、云雾、蒙古包、电线杆组成的图画，缺少了月亮，我想这幅画一定没有色彩。过了好久，太阳还是没有来上班，我差点怀疑它在睡懒觉。不过这时的人们却是一番享受：蹲着的、跑着的、坐着的、躺着的、聊天的„„最可笑的是那对父子——两人捂着一床被子，摇晃着走来走去。

嘘——谁都不许说话！只见天空的五彩从左边移动到右边，天空的颜色慢慢地、慢慢地，变得越来越淡，又移回了左边。咦，怎么中间的那一道橙色光线变亮了？哈哈，太阳这个老家伙终于露面了，当它露出半个脸的时候，天空中的五彩全部消失，只有太阳的上方有橙光点点。 “快看，快看，太阳爷爷升起来了！”哇！太阳光芒万丈，草原映衬着美丽的太阳，似太阳要融入草原，可惜太阳不属于草原，太阳要普照大地，给予世界光明。太阳越升越高，天空的七彩全部蹦了出来，太阳非常地灿烂，金黄色的光芒充满了能量，

把大地照射得如花似玉。

草原日出描写篇十
《草原的日出兜兜读读》

／z移霪鼙陵蜷静溢所有的马群都昂地停止了啃(ong)起了头，所有的羊群都默默(k@n)草，所有的牛群都像沉(chen)默的山一样。

这时，远远的草原的尽头，跃(yu@)起一个大火球，

)在金红的霞这一跃非同小可，整个草原沐浴(mOyO(xio)光之中。，我和牧马队长相对微微点头，我们会。地庄严(zhuOngyon)地笑了。我知道了草原的人们不贪们都要迎接早霞，沭浴着第一缕(ton)睡早觉(1d)阳光。，所有的人

相关热词搜索：草原日出 草原上的日出 草原日出莱辛